Source Interaction: Difference between revisions
Created page with "Category: Techniques {{stub}} Source Interaction refers to the wide-ranging and flexible technique of different sources in a video tennis match "interacting" with each other in various ways. This can be done through either word association, direct conversational exchange, implied shared space, implied mutual expressions, or physical synchronicity. This is a technique that has been widespread in Youtube Poop entirely since its earliest years and is not lim..." |
mNo edit summary |
||
| Line 1: | Line 1: | ||
[[Category: Techniques]] | [[Category: Techniques]] | ||
{{stub}} | {{stub}} | ||
[[Source Interaction]] refers to the wide-ranging and flexible technique of different sources in a [[video tennis]] match "interacting" with each other in various ways. This can be done through either word association, direct conversational exchange, implied shared space, implied mutual expressions, or physical synchronicity. This is a technique that has been widespread in [[Youtube Poop]] entirely since its earliest years and is not limited to a single style of playing tennis, though it is most often seen in matches driven largely by its sources rather than its editing. This technique carries directly over from pre-YTP video art in underground works such as the TV Carnage film ''A Sore For Sighted Eyes''(2007), the Pat Vamos film ''KRUNNK SHUTTLE''(2006), and ''Animal Charm: Golden Digest''(1996). | [[Source Interaction]] refers to the wide-ranging and flexible technique of different sources in a [[video tennis]] match "interacting" with each other in various ways. This can be done through either word association, direct conversational exchange, an opinionated response to another, implied shared space, implied mutual expressions, or physical synchronicity. This is a technique that has been widespread in [[Youtube Poop]] entirely since its earliest years and is not limited to a single style of playing tennis, though it is most often seen in matches driven largely by its sources rather than its editing. This technique carries directly over from pre-YTP video art in underground works such as the TV Carnage film ''A Sore For Sighted Eyes''(2007), the Pat Vamos film ''KRUNNK SHUTTLE''(2006), and ''Animal Charm: Golden Digest''(1996). | ||
The earliest instance of source interaction in tennis occurred in the very first moment of the very first tennis match. In Round 1 of [[conradslater vs. Misselaineous10]](2007), Toad from ''The Super Mario Bros. Super Show!'' points forward and exclaims, “There’s smoke signals!” before the video cuts to a woman smoking a cigarette from a 1970’s fetish video based around this act, implying that this is what Toad is pointing at. Luigi is subsequently implied to have been observing this with a somewhat fixated expression. | The earliest instance of source interaction in tennis occurred in the very first moment of the very first tennis match. In Round 1 of [[conradslater vs. Misselaineous10]](2007), Toad from ''The Super Mario Bros. Super Show!'' points forward and exclaims, “There’s smoke signals!” before the video cuts to a woman smoking a cigarette from a 1970’s fetish video based around this act, implying that this is what Toad is pointing at. Luigi is subsequently implied to have been observing this with a somewhat fixated expression. | ||